
During the NBA Finals in New York, former President Donald Trump was reportedly met with heavy boos during the playing of the National Anthem, according to a pool report shared by journalist Kyle Griffin. Griffin described the moment as “thunderously booed,” emphasizing the intensity of the crowd’s reaction.
The report indicates that Trump was shown on the arena’s large video screens, including the Jumbotron, during the anthem. As the broadcast displayed his image, fans reportedly booed so loudly and so persistently that event officials ultimately removed the shot from the screen. Griffin’s account frames the removal of the video feed as a direct response to the crowd’s reaction, suggesting that the boos reached a level that the broadcast team decided not to continue airing.
While the pool report centers on the anthem moment, the key elements highlighted in the coverage are the setting—an NBA Finals game in New York—the timing—during the National Anthem—and the public visibility of Trump—via the Jumbotron. The incident appears to have been visible to attendees and also potentially captured for broadcast audiences inside the arena environment, though the report particularly stresses what happened on the Jumbotron rather than any later statements from Trump or the league.
Kyle Griffin’s post effectively characterizes the event as an example of high-profile political attention meeting direct public backlash in a major sports venue. The inclusion of the crowd reaction and the subsequent decision to take down the shot suggests a high-stakes, real-time media management moment, where the content being shown was quickly adjusted in response to audience behavior.
In the broader sense, the reported incident underscores how public figures can be rapidly amplified—or quickly suppressed—in live sports contexts when fans react strongly. By showing Trump during the anthem and then removing the image after the crowd booed extensively, the arena’s media operation reportedly sought to manage what was being presented during a ceremonial, widely viewed portion of a championship event.
However, the news story as presented here stays focused on the immediate sequence: Trump appeared on the Jumbotron during the National Anthem, fans booed him “so much” that the shot was taken down, and the outcome was that the broadcast displayed less or no footage of him as the moment continued. No additional details about why Trump was being shown at that specific point, any official explanations, or any remarks by Trump are included in the provided text.
Instead, the report relies on the pool account and Griffin’s framing to convey the notable takeaway: Trump’s image during the anthem became a focal point for crowd disapproval significant enough to change what viewers would see on the arena screens. The incident is depicted as both immediate and measurable through the specific response—removal of the shot—rather than as a vague or distant report.
This kind of on-the-fly editing in a live sports setting is typically rare for high-profile figures shown briefly, so the emphasis on how quickly and clearly the shot was taken down reflects the perceived scale of the boos. The account also aligns with the idea that the crowd’s response was not quiet or scattered; it was loud enough to be described as thunderous and substantial enough to influence the on-screen content.
Overall, the news story highlights a confrontation between a national political figure and a major sporting event audience during a ceremonial moment, with the Jumbotron acting as the stage for the public reaction. According to the pool report summarized by Kyle Griffin, Trump was shown during the anthem at the NBA Finals in New York and was then booed so heavily that the arena removed his image from the screen.
Source: Kyle Griffin
Kyle Griffin: Breaking on MS NOW: Donald Trump was just “thunderously booed” during the National Anthem at the NBA Finals in New York, according to the pool report. He was shown on the Jumbotron and then booed so much that the shot was taken down.. #breaking
— @kylegriffin1 May 1, 2026
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